Switching Genres, Categories & More: How Annabel Monaghan Has Scripted Her Own Publishing Path

Switching Genres, Categories & More: How Annabel Monaghan Has Scripted Her Own Publishing Path

I’m delighted to share my Q&A with Annabel Monaghan, who was my author at Simon & Schuster back in 2007 when I acquired her manuscript for Click!: The Girl’s Guide to Knowing What You Want and Making it Happen. In a rare move, my department ended up rushing it to publication six months after acquisition. Even more remarkable, however, is how Annabel has built such a successful writing career in spite of changing genres, categories, agents, publishers, and her approach to publishing.

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Why a Urologist-Turned-Educator and a Trial Lawyer Decided to Self-Publish

Why a Urologist-Turned-Educator and a Trial Lawyer Decided to Self-Publish

When client Mara Monoski told me that she decided to self publish her novel, I was curious about why she made this decision. When I first started working with her, she was on the traditional publishing track. Client Brett Burlison was also keen on finding an agent and traditional publisher but ultimately decided to publish his novel under his own label. Here is my brief interview with both writers about their experiences self-publishing and their advice for other writers considering the same.

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The Rewards and Challenges of Self-Publishing Children’s Books: Q&A with Four Authors

The Rewards and Challenges of Self-Publishing Children’s Books: Q&A with Four Authors

As the traditional book publishing landscape becomes increasingly complex and competitive, more writers are considering independent paths. But given their audience, children’s book authors who self-publish face very different challenges from those who write for adults, especially in terms of design, production, and promotion.

Back in 2014, I asked literary agents Kevan Lyon and Kate McKean if children’s book authors should self-publish. In light of the many changes in book publishing since then, I thought I would continue the conversation, this time by speaking directly with writers who have published both traditionally and independently. Separately, I interviewed Zetta Elliott, who has released several books under her own imprint, including picture books; Brent Hartinger, who self-published a young adult series and a new adult series; Cheryl Klein, the author of a self-published a work of nonfiction; and Stephen Mooser, who released a middle grade book on his own.

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Q&A With R.J. Palacio

Q&A With R.J. Palacio

RJP: I actually have been writing my whole adult life—bits and pieces of novels, lots of stories, and mostly ideas for books, screenplays. But I never carved out the time I needed to have to follow through on these ideas. I’m so glad that I had all those years to quietly hone the craft without feeling any pressure to share it. If the whole 10,000 hour thing is true, then I can say that I’m sure I’ve spent that much time and more practicing—but without having to monetize it or make a living out of it. Believe it or not, this was actually a conscious choice I made when I was in college: do I want to make a living as a writer, or as an artist? I chose to pursue art and become an illustrator exactly so that I wouldn’t have to write for anything other than my own pleasure.

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